She lived in retreat
from her too-good child
and the woman she supposed she would be
in the jumpers she made,
the same Simplicity pattern varied
in color, print, the weight of the weather.
She longed for belonging, rebellion,
that two-sided coin she could toss
that would name her a diviner.
She believed that everything—where the ferns
grew in Golden Gate Park near the swampy fens
and the water lilies, St. Matthew Passion on Sunday
while the brutal gospel of the black Baptists
across the street rang in the windows—
all was right and good. Evil
was someone else’s fairy tale.
She loved to stretch in the sleepy morning
into her life of surety and meander
She woke—I woke—with a tab
of Owsley in the bedroom upstairs
when the walls fell, the ceiling was sky,
and the trip to the ocean that followed.
I saw the cricket at the edge of the universe
ready to leap and, when it did,
stood on Roethke’s three stairs in space,
watched the fall of faceted forms
that met facet to facet and then fell away,
the embroidered figures of lovers and fronds
and gold pistils and stamens—
Persian miniatures, I found at the library later.
Never seen before now.
And the ocean, where I could see
not only the seventh wave but the six
before it, and the six
gathering in the outer swells.
Looking up from the grass that day
where I lay in the park of the wobbly present,
I heard the counsel of azaleas above me,
the ageless momentary flower,
the accidental bee,
the one petal falling.
gl

bravo, gail,
ReplyDeletea poem that sits on Roethke's three stairs in space. I want to copy every line and say, "This one!"
xoxox,
pam
Hey Gail--
ReplyDeleteStrong melding of imagery and the ambiguity of emotion. Voila.
Rodgers
:)))
ReplyDelete